Monday, 15 August 2016

Mametz Wood - a poem

The Welsh at Mametz Wood by Christopher Williams 1918

A couple of weeks ago I watched a programme about  Welsh soldiers who fought at Mametz Wood in July 1916.  It was really engrossing and unbelievable to think that many of them had never fired a gun and had  been training with broomsticks before being thrown in to face professional German soldiers.  Anyway, I started researching more and wrote this.

Mametz

She greets me by a shell ridden tree
On a carpet of splinters where flowers should be
By a blood filled pond where the dead blindly stare
And the pain of my forefathers hangs in the air.

Queen of the woods she takes my hand
Walks me round this haunted land
Points at barbed wire where bodies are hung
And bullets are flying to slaughter the young.

A steel grey landscape cradles streams of blood
The hands of corpses reach out from the mud
"What is this?" I hear a voice say
I have no answer, I'm generations away.

Branches crash, a million splinters sting
the children forced to fight the lightening.
With faces grimaced they fall to their knees
While she crowns them with a wreath of weeds.

For here they lie, she tells me now
Til the ground is churned by the blade of a plough.
And guardians of history dig where they stood
To reveal the truth of Mametz Wood.

So take this vision to your waking world
Let them feel our pain in your every word
Our spirits may sleep but restless we lie
Til our questions answered.  Why? Why? Why?

copyright 2016 carol ann lewis




Tuesday, 9 August 2016

Poet of Pontypool entry 2016


My entry for the Poet of Pontypool 2016.  It was awarded a Highly Commended certificate :)


Streets of Pontypool

Tell me your stories, spirit of old
From your sepia photo that my hands hold.
Give me a glimpse of times that have been
A history I seek that your eyes have seen.

How I would love to wander where
Gas lights flicker in the dull evening air.
Every brick and stone with a tale to tell
Of triumph, achievement or personal hell.

What kind of people would I come to know?
If I walked along Pontypool's ancient roads.
Boys in flat caps lurking in doorways.
Ladies in bonnets riding in carriages.

Horses trotting on the dust filled streets
In the market the smells of hanging raw meat.
Traders bartering while wives buy supplies
For men returning from work in the mines.

Shops, pubs and houses, I'd visit them all
Then watch local singers at the Town Hall
Park House and gardens, I'd love to see
How it looked when inhabited by the Hanbury Leighs.

Busy salesmen who stop for a spell
Of hospitality at the Crown Hotel.
Then a few steps from there, just because I can
I'd visit the home of my great great gran.

Spirit of old, I stand in the spot
Where you were captured forever in this sepia shot.
Time divides us but I see all around

Through my eyes and yours our lovely old town.


Wednesday, 18 May 2016

Porthcawl Nights - a poem

Here's a poem I wrote in 2002 that came third in the Pontypool Poet of the Year competition.

Porthcawl Nights

The summer air, cold and damp
Porthcawl nights in a caravan camp
As we walked together on the sand
We chased the sunset hand in hand.

On rocks watching passing ships
You talked of poverty and politics
You had to wake me from my snoring
Because I found you so dead boring.

Trips to gardens of rainbow flowers
Your poetry rambling on for hours
I was so glad when Saturday came
When you waved goodbye from your valley train.

You were my friend but I found you a bore
I went back to my home and saw you no more
To your letters I sent back no replies
Always out when you phoned - or so somebody lied.

Now you're a singer with a famous band
You left our valley for a faraway land
I can only imagine how dull I must seem
Now you're the hero of a million dreams.

copyright 2002, 2016

Friday, 29 April 2016

The End of Love - a poem

I used to write a lot of poems but lately I cant seem to get my poetry head back on.  Anyway, here is a poem from 2003. It was the first one I had published and it was in an anthology called The Language of Love published by Anchor Books.


The End of Love

She watched the end of love
Abrupt as a storm in summer
Loneliness of silence poisoned the air
Like fog in the chill of winter

Memory taunted her tormented heart
Waiting words he'd never known
Kept concealed like snow in clouds
Now she pined with her thoughts alone

Allowing shadows to creep
Where once was colour and light
Leaving herself the wishful green
Of a cold and envious sight

Truth entered and built itself
A self-piteous altar of pain
Where dreams as wishes that will not be
Paint his face in her life once again

Lives entwining suffocating themselves
Fading with every heartbeat
Burning inside like molten rivers
Freezing in the ice of grief

copyright 2003, 2016 carol ann lewis


Friday, 1 April 2016

New Book - Land of my Mothers







This is my latest book, out now on Kindle or in paperback from Amazon.  It takes a look at women's lives in Victorian Wales.  There are chapters on childhood, work, crime, home life, social life and death.

http://www.amazon.co.uk/Land-My-Mothers-Carol-Ann-Lewis/dp/1518695396/ref=sr_1_1?ie=UTF8&qid=1459516673&sr=8-1&keywords=land+of+my+mothers

Tuesday, 1 March 2016

An Essay on Historical Wife Chastisement

An essay I wrote for my university course on the extent to which laws have contributed towards violence against women.

We may never know the exact point in history when society decided that women needed to be controlled and chastised.  In her book 'A Women's History of the World', Rosalind Miles attributes it to the fall of the worship of the goddess and the evolution of human thought.  People believed that all new life began with women, a magical act with men appearing to have no part, but with the realisation of cause and effect, man's part in reproduction became clear.  She goes on to say that in the millenia before the birth of Jesus, mythologies speak of the overthrow of the Mother Goddess, for example in Celtic folk myth, three wise crones meet the son of the war god in battle and after many clashes they are subdued and humbled before him.

The earliest reference to women being the property of men is in the Code of Ur Nammu, the King of Sumer who composed the first law code around 2047 - 1750 BCE.  It stated that if a virgin slave woman of a man was raped, the perpetrator had to pay compensation, presumably to the man who owned her.  Similar laws existed in the 18th century BCE in the code of Babylonian King Hammurabi.  The killing of a pregnant maid servant could be rectified with a monetary fine.  The code also shows the double standards already in existence, men could have affairs with maid servants and slaves but a woman doing the same would be tied up and thrown into the river along with her lovers.  The Roman code of Paterfamilias entitled a husband to kill his wife if she was found to be having an affair however if the situation was reversed she was to do nothing.

With the growth of Christianity, attitudes towards women became worse, even though Jesus showed many acts of compassion towards them, for example the stoning of Mary Magdalene.  The Bible teaches that women should be quiet, not teach and not have any authority over man.  They are also responsible for bringing sin into the world, for it was only Eve that was deceived and not Adam.  This is first reinforced in Genesis where God tells Eve her only desire will be for her husband and he would rule over her.  Also with Christianity emerged the notion that women are dirty from the beginning of their reproductive life until its end.  A woman was unclean for seven days after giving birth to a son but if she gave birth to a daughter, as if in punishment for doing so, she was unclean for fourteen days.

By contrast, in medieval Wales, at birth no distinction was made between males and females until after baptism at which time males were worth double of females.  Men were still classed as superior however marriage was seen as more of a contract between both parties and the husband was not allowed to beat his wife at will.  If he did find himself having to chastise he could deliver no more than three blows.  The wife also had some rights.  If her husband dishonoured her by committing adultery, he was to pay a fine and if he did this three times she could divorce him and retain her property and status.  Both parties also had extended families to whom they could return.  Under the traditional laws of Wales it seems men and women enjoyed more equality than other areas of the world, until the time of the expansion of the English state.  The arrival of Catholicism also brought with it canon law which imposed marriage for life.

Canon law encouraged the chastisement of unruly wives.  This was usually carried out publicly using devices such as iron muzzles that pressed into the tongue.  The Derbyshire Brank for example was attached to a woman's head, secured around her face and mouth and prevented her from speaking or eating.  A chain was also attached so she could be led around or secured to a spot.  Men who beat their wives for no reason though were punished.  Ran Tan Tan, an old folk custom drew attention to a wife beater in the community.  An effigy was made, carried around the village on a pole accompanied by a crowd beating drums or kitchen utensils.  The party would congregate at the house of the accused for three nights then drown the effigy in the village pond.

The chastisement of wives was reinforced in 1782 when an etching by caricaturist James Gilray was published.  It showed Judge Buller carrying armfuls of sticks after reputedly ruling that a man had the right to correct his wife by beating her as long as the stick was no wider than his thumb. This law became known as the rule of thumb though some sources say it didn't exist in law.  Even if it did not exist though Judge Blackstone in his treatise on English Common Law stated that a man could correct his wife
"for as he is to answer for her misbehaviour the law thought it reasonable to entrust him with this power of restraining her by domestic chastisement in the same moderation that a man is allowed to correct his apprentices or children ...but this power of correction was confined within reasonable bounds as the husband was prohibited from using any violence towards his wife".

By the nineteenth century the law was not concerned with wife beating.  In 1848, a Mrs Dawson applied for a divorce from her violent husband who flogged her with a horsewhip and a spiked hairbrush.  It was refused.  Women though began to fight back.  In 1861 Elizabeth Cady Stanton made a passionate plea to the New York legislature to reform the divorce laws pointing out as she did so, the romantic views society had of marriage while within it laws that condoned violence towards wives.

By the 1870's many people, including men were calling out for something to be done and a cure that was suggested was flogging.  Men were imprisoned for assaulting their wives but it was having no effect.  It was believed the whip would deter offenders once they had felt the pain that they were inflicting upon others.  The subject of violence towards married women was raised in parliament in 1874 though not taken seriously by the then prime minister Benjamin Disraeli.  In 1878 a statute to amend the Matrimonial Causes Act was passed.  It contained provision for wife beating, classing it as aggravated assault.  Power was given to police courts to order separation if a wife was considered to be in danger.  A woman did not have to cohabit with a violent husband any longer, as long as she could prove cruelty.

The first half of the twentieth century saw women take great leaps forward in the fight for equality.  They won the vote and proved themselves capable of running the country and doing any job a man could do during two world wars.  But, when the men came back, they were expected to return to the kitchen and stay there.  Abuse carried on but was not talked about.  Propaganda was used,the Latch Key Kids study claimed all delinquent children were the result of working mothers and the growing media of television reinforced the stereotype of the housewife.

It was 1974 when Women's Aid was established.  Its aim, to improve laws and provide refuge for women and children escaping violent partners.  The first Domestic Violence Bill was passed in 1976 and in 1978 a study in Scotland revealed one in four cases of violent crime was wife assault.  A national domestic violence helpline was established in 1987 an in 1990 the Law Commission Enquiry into domestic abuse recommended change.  1991 saw rape in marriage recognised and made a criminal act and by 1996 the Family Law Act Part IV gave more remedies for protection.

Domestic abuse today is still a hidden crime.  On average a person will be assaulted around thirty five times before involving the police.  Their reasons are usually fear of not being believed or of repercussions by the abuser.  It was working with perpetrators of domestic abuse that led Pat Craven, a probation officer to develop a programme to help and empower today's women by building profiles of perpetrators, examining the effects of being abused and teaching the signs of an abuser.  She also looked at the origins of their beliefs and the beliefs that women have come to accept about themselves as to why they found abuse at home acceptable.  Many cited marriage vows, (love, honour and obey), attitudes handed down by previous generations, teachings of the Bible, media and law.

To conclude it seems that law has condoned violence against women for centuries in order to keep them subdued.  Women have been passed from father to husband, treated as lifelong children, imprisoned in a stagnant sphere where any signs of intelligence, outspokenness, disobedience or independence was met with punishment.  The law may now have changed but the fact we still have and need organisations such as Women's Aid, shows attitudes towards women have not.



References
Daily Mail
Siegal.R (1996) Rule of Love
Craven.P (2008) Living with the Dominator
Hodgkinson.L (2012) Only a mad woman would call the 50's a golden age
Womens Aid (2008) Historical Perspective
Patterson.N (1988) Proceedings of the Harvard Celtic Colloquium
Mark.J (2014) Ur Nammu
Leviticus 12 v 1-5
Deuteronomy 22 v 28
Genesis 3 v 16
Latham.J (2012) Rippingales Ran Tan Tan
Gilray.J (1782) Judge Thumb
Harwood.A (2015) One Survivors Story
Miles.R (1988) The Women's History of the World
Cariff Times (1872) The Proper Cure for Wife Beatng

Friday, 12 February 2016

A Blaenavon Essay

Written as part of my university history and heritage course.

An essay to compare the World Heritage sites of Blaenavon and Ironbridge Gorge.


Blaenavon was created a World Heritage Site in the year 2000. With its ironworks, mining museum, Victorian town and industrial landscape, it tells the story of the Industrial Revolution in South Wales. Ironbridge Gorge is a similar site and it was designated a World Heritage site slightly earlier in 1986. Ironbridge was one of the first group of seven sites in the United Kingdom to be awarded the status. It is recognised for the area's contribution to the birth of the Industrial Revolution, becoming the most technologically advanced area in the world by the end of the eighteenth century.

Nothing existed in Blaenavon before the opening of the ironworks in 1789, except for scattered farmsteads. My relative, James Scourfield, deacon of Horeb Chapel in Blaenavon and contributor to the Chapels Heritage Society gives a glimpse in his writing as to how the area looked in the early days before the town's evolution.
“Bethlehem Chapel – In 1840 they moved to the present site in Broad Street, though at that time there was no street there, the location being a very pretty area of green fields with a running brook, the Nantfechan”.
The ironworks evolved during the 18th and 19th centuries and was the site of furnaces, casting houses, calcining kilns, a water balance tower and houses for workers. It was one of the largest ironworks in the world and by the time of it being awarded World Heritage status, one of the best preserved. The landscape itself was used in its construction, a sloping hillside was cut back to form a cliff and the furnaces built right next to it. This enabled workers to introduce raw materials into the furnaces from the higher ground. The casting houses were built directly in front and into these the molten material was tapped off into moulds. (heritagetrail.co.uk)
Combine this then with Big Pit, one of the last deep mines in the area complete with surface buildings and preserved industrial landscape that produced all the raw materials required to produce iron, transport it, via the network of iron rails, to the canal to be shipped all over the world and it can be plainly seen that Blaenavon holds unique elements that tell the social, economic and technological history of industrialisation through coal and iron. (Blaenavon.co.uk)
Similarly, Ironbridge is also concerned with coal and iron making. It contains all the elements that contributed to the development of industry in the area, from mines to transport systems, remains of mines, spoil heaps, foundries, workshops, iron masters and workers housing, public buildings as well as its own industrial landscape in the Severn Gorge.

Blaenavon town is an authentic Victorian town that emerged and evolved due to the surge in migrant workers attracted by employment in the iron works and mines. The town records the story of the types of people who moved there, from the iron master's house to the buildings the iron masters had built, schools for example, churches and workers homes. From the types of chapels, in its beginnings, Blaenavon hosted both English and Welsh speakers. Business people were attracted to the area opening shops, public houses and hotels. The human experience of industrialisation is experienced here through capitalism, technological growth, the rise of trade unions, political parties, education, choirs and sports clubs. (blaenavon.co.uk)
Unlike Blaenavon, the open air Victorian town museum of Blists Hill in Ironbridge is perhaps more similar to that of the National Museum of Wales, in St Fagans. The site incorporates monuments and reconstructed buildings based on local examples. So as not to compromise authenticity though, the visitor is made aware as to the relationship between the original buildings and those which are not historic. The museum attempts to recreate the sights, sounds and smells of a Victorian town with costumed guides trained in the history of whatever profession they are re enacting. In contrast, Blaenavon has no need to use actors when visitors are taken on the underground tour of Big Pit, as all the guides are ex miners. It would be difficult though to reproduce a experience similar to the one at Blists Hill on a permanent basis in Blaenavon town, as the town is still lived in and worked in. There are though, re-enactment weekends, such as the world war 2 event held at the ironworks in 2013.

The industrial landscape surrounding Blaenavon shares as much historical importance as that of the town and works. This is a landscape that has been shaped by the hands of generations of men, women and children digging for the coal, iron and limestone needed to produce iron as well as building and operating the transport systems needed to carry the end product to the outside world. The speed at which the landscape was transformed can be seen in the disappearance of Blaenavon viaduct. It was built around the year 1790, illustrated by Sir Richard Colt-Hoare around 1801 but had disappeared off maps by 1815. It was re-discovered in 2001 by Channel Four's Time Team, under around fifty feet of rubble. (industrialgwent.co.uk)
The mountains north of the ironworks are littered with man made features – scouring, adit mines and shaft mines are all visible as well as sites of tramways, ponds and reservoirs. All these features are also relatively stable and well persevered and protected from erosion due to gradual re vegetation and from human destruction with policing. A landscape crime officer has been appointed in order to keep the land free from fly tipping and off road biking. Visitors can enjoy walks around this industrial landscape passing not only the remnants of mining but sites of prehistoric interest, something that the site at Ironbridge does not offer. Combined with amazing views of the surrounding countryside that inspired author Alexander Cordell and his novel, 'Rape of the Fair Country', Blaenavon is also a perfect place for photography and observing wildlife, such as at the Garn Lakes Nature Reserve.

The site of Ironbridge is defined by a steep sided gorge which contains similar features to those at Blaenavon – mining areas, old pathways, canals and railways. According to the diary of Abiah Darby, the second wife of Abraham Darby II, Coalbrookdale, as with Blaenavon, was a very rural community when Abraham Darby I founded his ironworks in 1709. (ironbridge.org.uk).
After mining ceased, areas were largely left to regenerate naturally. In 2009 a light detection and ranging survey was carried out around the wooded slopes of the gorge. The aim was to map the landscape beneath the canopy. Results found sites of former bell pits, quarries, buildings and charcoal hearths. The survey also showed rails of an inclined plane. (forestry.gov.uk) The land at Ironbridge does not have the same level of stability as at Blaenavon due to previous mining. The iron bridge itself has suffered cracking in recent years by the shifting riverbank. (dailymail.co.uk) Underground sensors are in place to detect movements in the earth and local people are encouraged to report changes in embankments or cracks in paths. (bbc.co.uk)

By the end of the 19th century and the beginning of the 20th century, Ironbridge suffered a decline in industry resulting in the neglect of some buildings due to a decrease in prosperity. However in recognition of the value of the site investment reversed this. A similar scenario was playing out in Blaenavon. The ironworks closed by the 1900's, the town suffered poverty, unemployment and a lack of investment in the 1920's and 1930's. A forecast in 1943 anticipated that Blaenavon should be abandoned and indeed it began, with the residents of Pwlldu. Here was once a thriving village that had over three hundred residents, two pubs, two chapels a school and shop. By the 1960's though, it was declared a slum area and resulted with the residents being moved to Govilon, their homes demolished – but many local people saw a future in Blaenavon's past. Big Pit, originally Kearsley's Pit had been sunk in 1860, deepened in 1880, and closed in 1980 with the loss of two hundred and fifty jobs but re-opened in 1983 as a museum, becoming instantly popular. As for the ironworks, many saw it as an eyesore but some individuals, such as Richard Keen saw its potential and did everything he could to make others see that potential as well. He attended meetings with councillors to try and persuade them of the importance of the ironworks. When one councillor wanted to eradicate the lot, calling it a 'symbol of subjection', he carried on undeterred to ensure its survival. The results of his hard work was the granting of World Heritage status. (BBC Wales in the 80s)

If Ironbridge celebrates the birth of the Industrial Revolution and iron masters then Blaenavon is a monument to the working classes. Both sites are very similar but is there anything they can learn from each other?

The Ironbridge Gorge museums attract around 545,000 visitors per annum whereas Blaenavon Ironworks, part of CADW, in 2014 attracted 22.069. (Freepressseries) However it has to be taken into account that this figure is spread over ten museums, further research would have to be undertaken to ascertain whether these visitors went to all the attractions, or just one or two. Big Pit is part of the umbrella group National Museum Wales which recorded 1.75 million people visiting its sites in 2013. (bbc.co.uk) They attributed the best ever visiting figures to free entry to all its museums plus support from the Welsh government. Again, further research would be needed to discover how many of the 1,75 million visited Big Pit.
By contrast, Ironbridge Gorge is an independent charitable trust that is reliant on earning it income, mostly by charging admission to all but one of its sites, the iron bridge itself. It also relies on retail sales, conferencing, banqueting, tenanted properties and grants. It does not offer free admission to its sites but visitors can buy an annual ticket at a discounted price that allows them to visit all the Ironbridge museums at any time during the year, thus ensuring that all attractions are advertised and visited. (Ironbridge.org)

Commercially, I think that Blaenavon could learn much from the museums at Ironbridge. Ironbridge relies on generating its own income in order to survive. Blaenavon, with the backing of organisations such as CADW and the National Museum Wales doesn’t have to do this and although it is unlikely that funding from these organisations would stop any time soon, Blaenavon could be in danger of becoming complacent about its future.

The area that could learn the most is the heritage town. Tourists visit Big Pit and the ironworks, but there is nothing to attract them to the town which boasts many historic buildings in it own right such as the Workmens Hall. Blaenavon Renewal Area was declared in February 1999 (Toraen.gov) and around £12 million was spent improving access and parking to the town, restoring Victorian shop fronts and refurbishing housing. Buildings once derelict were brought back into use and sites once no-go areas made more attractive, but all of this is of little consequence if visitors are not being drawn into the town to begin with. More custom needs to be brought to local retailers along with better advertising that covers all of the attractions in Blaenavon and maps that link all the attractions to the town.

More retailers could be an asset to Blaenavon. While the book town idea was not the success envisaged, it did encourage other businesses to set up in the town, such as the Blaenavon Cheddar Company. Established in 2006, the company prides itself on the fact its cheeses are hand made at its shop in Broad Street and on the promotion it carries out at various community events advertising Blaenavon. Their Pwll Mawr cheddar is matured at the bottom of Big Pit and can be bought at their gift shop, an example of one link between business and attraction linking up to benefit each other and the town. In return for selling its cheeses the Blaenavon Cheddar Company advertises other Blaenavon attractions on its website. (Blaenavon cheddar co.)

One building in particular lets the heritage town down and that is the iron masters house, Ty Mawr. It was a nursing home until 2006 but as part of the original World Heritage bid it would benefit the town if it could be restored and re opened as a further attraction. The house and grounds lie in a derelict state yet it is an integral part of the Blaenavon story in the same way the homes of the Darby families are in Ironbridge. This mansion shows the ironmaster of Blaenavon, Samuel Hopkins first concerns during the founding of the ironworks. While the poor workforce lived in bricked up viaduct arches as per his orders,he built himself a comfortable home, a visible contrast which at the moment the visitor cannot see.

To conclude, not having visited Ironbridge, I can only presume that when visiting a site such as Blists Hill Victorian town, there cannot be the same sense of loss and sadness that can be felt when walking the streets of Blaenavon. After all, prior to 1983, this was a working town much like any other in South Wales. The loss of industry brought poverty, the effects of which are still within living memory. Blaenavon became a boarded up town that no one wanted to visit. When comparing Blaenavon and Ironbridge it seems that on first impressions, Blaenavon is the poor relative of Ironbridge. When compared to such sites as the Pyramids you wonder why this tiny mining town is a heritage site at all. That said, the people of Blaenavon have a lot of pride in their town and their history and when you delve deeper into the story of Blaenavon you realise why. Blaenavon may not have the theme park feel of Blists Hill Victorian town, but its story is just as important. Here in the landscape and buildings at Blaenavon is captured a moment in time, when the world changed from rural to industrial. Its World Heritage status gave it an initiative to move on from that and create a future from the past. It is therefore important for Blaenavon to look to this future as well as to preserve the past by promoting everything it has to offer as one visitor experience. Visitors need to be encouraged to visit all the attractions and see the site as a whole not just the ironworks and Big Pit. Businesses should be encouraged to the town while at the same time visitor numbers need to increase. Businesses have failed because not enough people are going into town. The future success and prosperity of the town will depend on this as well as raising future generations to have the same pride in the history of Blaenavon while giving them the incentives to want to live in Blaenavon and stay there.

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